Read Hellboy: el llamado de la oscuridad by Mike Mignola Free Online
Book Title: Hellboy: el llamado de la oscuridad|
The author of the book: Mike Mignola
Edition: Ovni Press
Date of issue: April 19th 2013
ISBN: No data
ISBN 13: No data
Format files: PDF
The size of the: 614 KB
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Reader ratings: 4.9
Read full description of the books:
This TPB edition collects “Hellboy” #27-32 featuring the storyline “Darkness Calls”.
Writer: Mike Mignola
Illustrator: Duncan Fegredo
How bad is it going to be?
We will not survive it.
Events happened in previous storylines such as Seed of Destruction, Wake the Devil, The Chained Coffin and Others and Box Full of Evil make a terrible crossroad here…
…and Hellboy is right in the center of all of it.
Great powers walking the Earth will collide choosing sides in the fate of Hellboy. Some looking for his doom, others stepping out for protecting him.
At this point, I’ll take all the friends I can get.
And have no doubt that this battle will collect its toll in both sides of the paranormal conflict.
Baba Yaga lost an eye due Hellboy, she’s back and you can be sure that she is pissed as hell (pun intented) and she won’t rest until getting that Hellboy would suffer the same and being as humiliated too.
Who, then, has more right to be king?
The witches of the world lost their queen.
The position must be filled soon.
Obviously, Baba Yaga wants it.
However, the sources of Hellboy’s unholy breeding, makes him to look like as good candidate as any, if not more. A king for the witches? Some circles are considering the unusual scenario.
Obviously, Hellboy doesn’t want it.
That’s only more firewood for their messy clash.
However, an insidious third party is moving around to find a better suited queen. Better suited for the witches’ community, not for us.
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Read information about the authorMike Mignola was born September 16, 1960 in Berkeley, California and grew up in nearby Oakland. His fascination with ghosts and monsters began at an early age (he doesn't remember why) and reading Dracula at age 13 introduced him to Victorian literature and folklore from which he has never recovered.
In 1982, hoping to find a way to draw monsters for a living, he moved to New York City and began working for Marvel Comics, first as a (very terrible) inker and then as an artist on comics like Rocket Raccoon, Alpha Flight and The Hulk. By the late 80s he had begun to develop his signature style (thin lines, clunky shapes and lots of black) and moved onto higher profile commercial projects like Cosmic Odyssey (1988) and Gotham by Gaslight (1989) for DC Comics, and the not-so-commercial Fafhrd and the Grey Mouser (1990) for Marvel. In 1992, he drew the comic book adaptation of the film Bram Stoker's Dracula for Topps Comics.
In 1993, Mike moved to Dark Horse comics and created Hellboy, a half-demon occult detective who may or may not be the Beast of the Apocalypse. While the first story line (Seed of Destruction, 1994) was co-written by John Byrne, Mike has continued writing the series himself. There are, at this moment, 13 Hellboy graphic novel collections (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien and Witchfinder), three anthologies of prose stories, several novels, two animated films and two live-action films staring Ron Perlman. Hellboy has earned numerous comic industry awards and is published in a great many countries.
Mike also created the award-winning comic book The Amazing Screw-on Head and has co-written two novels (Baltimore, or, the Steadfast Tin Soldier and the Vampire and Joe Golem and the Drowning City) with best-selling author Christopher Golden.
Mike worked (very briefly) with Francis Ford Coppola on his film Bram Stoker's Dracula (1992), was a production designer on the Disney film Atlantis: The Lost Empire (2001) and was visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004) and Hellboy II: The Golden Army (2008). He lives somewhere in Southern California with his wife, daughter, a lot of books and a cat.
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